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Roy

Roy

Synopsis

Kabir Grewal (Arjun Rampal), a Casanovic film maker and screenwriter is making multiple films (GUNS Trilogy) based on a thief's life and robberies, all achieving high success. In order to shoot his third installment (GUNS 3), he goes to Malaysia, where he meets a London based film-maker Ayesha Aamir (Jacqueline Fernandez). Kabir and Ayesha get friendly and soon fall in love. When Ayesha gets to know about Kabir's casanova attitude, she breaks up with him and returns to London. Dejected Kabir goes into depression and returns back to Mumbai, leaving his film incomplete. After several failed trials Kabir couldn't find a perfect climax for his story. On his assistant Meera's (Shernaz Patel) suggestion Kabir goes to a film festival as part of the jury, where Ayesha's film is being screened. Ayesha, thought that Kabir is following her and asks him to stay away from her life. After his father's (Anupam Kher) death and been sued by film financiers Kabir decides to move on and complete his film.
 
In a parallel story, An infamous Roy (Ranbir Kapoor) is a mysterious international Art thief whom no country seems to be able to get their hands on, including detective Wadia (Rajit Kapur). On his new assignment, Roy goes to an unknown foreign land to steal an expensive painting only to find that its owner is the beautiful Tia (Jacqueline Fernandez). Tia lives alone in a huge mansion where the painting is kept. Hence, Roy tries to befriend Tia in an art auction and soon impresses her with his charm. A chemistry sparks between the two and both start spending time together, giving Roy entry into the mansion. Seeking for the right opportunity, one night Roy runs away with the painting, leaving Tia heartbroken. Roy later regrets, as he has fallen in love with Tia and hence decides to return the painting to her. After a small clash with painting's new owner, Roy manages to get it back. On receiving the paintings Tia realises that Roy is now a changed man and forgives him.
 
Meanwhile, Kabir's film "Guns 3" releases with huge success. It is then revealed that "Roy" was just an imaginary character in Kabir's film and Roy & Tia's story was the script of "Guns 3". In the end Kabir proposes Ayesha and they both reunite, just like Roy and Tia reunite in Kabir's film. The movie ends with Roy and Tia walking together next to a bridge just like the painting Roy stole.

Release Date

13-02-2015

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Genres

Thriller|Romance

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Roy is worthy to watch once for experiencing new style of storytelling and Arjun Rampal's flawless p !!

February 13 th, 2015
Rating

A flick that is made completely of dialogues and long pauses in between, Roy is a multilayered story that moves at its own pace and maintains the same right through its running length. Though one anticipated a thriller in the offering with some good suspense angle thrown in, the movie is more of a love story with heavy dose of drama set in. During the process, it ends up being way too niche for a select set of viewers who want their movies to be completely off the Bollywood manner of narration.
 
Debutant director Vikramjit Singh gives the movie an altogether new look. Right from setting the frame to the props to the background score to the shot taking to the editing pattern, the movie does boast of a newness element to it. Furthermore, with three very good looking people at his disposal, he makes sure to capture Arjun Rampal and Jacqueline Fernandez truly elegantly. With a consistent mood being maintained throughout the movie, at least Roy is not guilty of switching over its narrative style for commercial gains.
 
But, where Roy could have worked better was the encouragement of its core concept, which is making a 'film within a film'. Here, not only one would have anticipated more thrilling moments, even the ease and simplicity of scene setting could have played a little better for a larger segment of viewers. It takes a while to get a hang of how the four characters (with Jacqueline in a double role) interplay with each other. Also, at number of places the love story element as well as the motivations don't quite fit in. Furthermore, a few scenes are disorderly too while frequent pauses are way too long as well. Yes, one has to confess that Vikramjit was trying a new style but for a Hindi film format, it was always a risky preposition.
 
Amongst actors, the movie is an Arjun Rampal show all the way. In a mature and serious part, he does certainly well and is really the central protagonist of the film. His body language, voice and expressions are flawless for the part right till the end. Jacqueline comes up with a decent performance too and looks quite pretty as well. Astonishingly, Ranbir Kapoor just doesn't register an impact as his character is unclear, even though he has number of scenes in the movie and has a good presence.
 
The music brings in the relief element though the best song Tu Hai Ke Nahi comes towards the end. The rest do fit in well into the tale.
 
On the whole, it is worthy to watch once for experiencing new style of storytelling and Arjun Rampal’s flawless performance. 



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